Blue-grey dangerous. Your house was a dangerous place.
Especially at night when the streetlights clicked off.
You didn’t think about it during the day. You
don’t know if your sister thought about it. You
never spoke of it. You thought you were protecting her
by not speaking. You thought you were sacrificing
yourself so she could have a childhood. So maybe
you felt pious and good, one of god’s lambs,
staying inside the lines, working the sky in carefully
around the scalloped clouds, the field goldenrod,
the rocks silver, stepping stones to the teal river,
the bittersweet shore. You can’t help seeing yourself,
elbow cocked, a Crayola of some newly named color
squeaking a wax corona around the face of a flower,
mother next door, father at work, brothers and sisters
outside terrorizing the white chickens, the house quiet
as a boat on a pond. Aquamarine water. Umber boat.
You don’t know how you kept that door closed, how you
could act like a child, sitting so still, biting your lip, a child
who kept a kitchen knife under her pillow, useless thing,
useless thing.
—Previously published in The American
Poetry Review
The knock-out rose has forced
one recidivist bloom, reverted
to the striated pink and cream
it was born to, retreated to the seed
of its original making.
Into the vast library of possibility
we feel the sudden urge to add
one more poem, cramming
the ruffled pages in among
the 10,000 things. One more color,
one more day of the week.
Moby Dick isn’t enough for us.
A million elegies is one too few.
Not just bread and potatoes
but potato bread.
This bookcase was a tree.
That hospital was once
a one-room house, one sign
hung above the door on one
rusty nail, one black leather bag,
one stethoscope, one bottle
of coppery iodine, a rubber
nipple, a glass wand.
If one lilac branch in bloom is beautiful
10 branches are more beautiful.
Give us profusion. Infuse the petals
with more cerulean blue.
The hibiscus fan themselves
in the heat, opening and opening.
When they stick their tongues out
I want to French kiss them.
—Previously published by Cerise Press
Let your mountainous forehead
with its veins of bright ore
ease down, the deep line
between your brow flatten,
unruffle the small muscles
below your temples, above
your jaws, let the grimace
muscles in your cheekbones
go, the weeping muscles
sealing your eyes. Die into
the pillow, calm in the knowledge
that you will someday cease, soon
or late, late or soon, the song
you’re made of will stop, your body
played out, the currents pulsing
through your brain drained
of their power, their purpose,
will frizzle out through
your fingertips, private sparks
leaping weakly onto the sheets
where you lay breathing
and then not breathing.
Lay your head down and relax
into it: death. Accept it.
Trick yourself like this.
Hover in a veil of ethers.
Call it sleep.
—Previously published in River Styx
Ah, timing. Woody Allen says
it’s everything. I say it’s nothing,
can’t touch it, wear it, hold it up between your fingers and shake it
like a napkin. Timing is what you have
when you don’t have anything else,
a facility with the wine list, a joke that hits the bull’s eye in the spongy
marrow of a funny bone. Or death,
that takes timing too, to elude,
you must bend to pick up the fork you nervously, clumsily dropped
so the bullet that whizzed through the wall
from the shop next door where a man
of few words was holding up
a terrified clerk lost his balance
for a moment and the gun went off,
the bullet marked to end the next thought
in your roundly specific head sailing
straight through the window, shattering
the harmless glass, nicking the letter D
on the marquee across the street, a movie
you meant to see after dinner with a woman
who could become your wife, but who now looks at you as if you are a wanted
man, a man with a foreseeable future, though not in the way you had hoped.
—Previously published in The American Poetry Review
(July/August 2010)
Will the dead please rise and raise
your right hands. Will the dead please
swear to uphold that hand for as long
as it takes. Will the dead please
reassemble your bones, replace
your heads, return your hearts, recant
your screams. Will the dead please
salute the flag ripped from the body
politic. Will the dead please step
onto the helicopters and into the bodies
of soldiers afraid to become you. Give
the living your history, your wisdom,
your sleepless eternities, your missteps
only they can make right, remind them
nightly to go on living. Will the dead
please buckle up and ferry them home.
—First published by November 3rd Club; reprinted
in bayareawomeninblack.org